I definitely have a LOVE/HATE with living in Atlanta as a working actor.
Part of what I love about the southeast market is that it’s not so saturated.
Part of what I hate about it is that there is not a lot of work.
That’s right. I hate it and love it. I hate it because when I was in Los Angeles, I felt like I went on an audition anywhere from 3 to 10 times a week. There was always something to do to make me feel like an actor in between jobs. There were always actor friends who were creating content and wanted me to be a part of their shows. There was always a show to go to so I could stay inspired. There was a mountain to hike with other actors on it. Los Angeles is very actor friendly because the city was literally filled with us.
In Atlanta, I have to hunt to find the artist scene, where to print my headshots, who has the best classes, and landing an audition is a rare occurrence that happens (if I’m lucky) once a week. However, when it does happen in Atlanta, it’s a goooooooooood audition. It’s for a network show or a major feature film. And that’s why I came! I came to capitalize on a smaller market!
Most recently, that fruit turned gold when I was blessed enough to land a full-time stand-in position on a new show, Survivor’s Remorse. Lebron James executive produces for Starz and I’m so excited I can barely sleep about this project. If you ever get the chance to work as a stand-in, take it! You get to work side by side with the director, executive producers, writers and more. These are the people you want to know. This is also extremely important: YOU GET PAID FOR STAND-IN WORK!
However, let me caution you. Opportunity is only opportunity. You have the opportunity to succeed and the same one can cause you to fail. When you’re working as a stand-in, it’s extremely important to be punctual. Arrive an hour early to base camp and don’t complain about not getting paid for it. Be present and prepared when the director is working with the “first team,” also known as the cast. Stand-ins are the “second team.” The second team needs to watch the first team to know the blocking during lighting and rehearsals. It’s crucial to be punctual, aware, and attentive or this position can do more harm to your career than good.
I have worked as a stand-in before and I really love it because it’s just one step away from being on the first team. You get to see everything. And unlike background actors, they learn your name and treat you like family on set. Casting directors usually recommend stand-ins to production staffs, but they only recommend people they can trust.
Keep working out there dreamers! Hit me up if there is anything I can help with and don’t be afraid to send me an email!
So you’re a struggling actor. You’re a broke artist. You ditched a week of groceries to buy your headshots and you don’t even think about going to acting class.
There’s still hope.
I’m not sure if you heard about this little thing called, YouTube University, but class is in session 24 hours a day, the classes are not crowded, and the tuition is free. Get into this.
If you’re strapped for cash and in between classes, don’t let yourself get rusty. You never know when that next audition is around the corner. Here are a list of some of the BEST videos an actor can watch, all for the bargain price of FREE ninety-nine.
There is never an excuse to not be getting better. Save this blog and refer to it often. You’re welcome.
The Meisner Technique
Inside the Actors Studio
Tom Hanks: First Visit, Second Visit
Actor’s Access Virtual Channel Network
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