I definitely have a LOVE/HATE with living in Atlanta as a working actor.
Part of what I love about the southeast market is that it’s not so saturated.
Part of what I hate about it is that there is not a lot of work.
That’s right. I hate it and love it. I hate it because when I was in Los Angeles, I felt like I went on an audition anywhere from 3 to 10 times a week. There was always something to do to make me feel like an actor in between jobs. There were always actor friends who were creating content and wanted me to be a part of their shows. There was always a show to go to so I could stay inspired. There was a mountain to hike with other actors on it. Los Angeles is very actor friendly because the city was literally filled with us.
In Atlanta, I have to hunt to find the artist scene, where to print my headshots, who has the best classes, and landing an audition is a rare occurrence that happens (if I’m lucky) once a week. However, when it does happen in Atlanta, it’s a goooooooooood audition. It’s for a network show or a major feature film. And that’s why I came! I came to capitalize on a smaller market!
Most recently, that fruit turned gold when I was blessed enough to land a full-time stand-in position on a new show, Survivor’s Remorse. Lebron James executive produces for Starz and I’m so excited I can barely sleep about this project. If you ever get the chance to work as a stand-in, take it! You get to work side by side with the director, executive producers, writers and more. These are the people you want to know. This is also extremely important: YOU GET PAID FOR STAND-IN WORK!
However, let me caution you. Opportunity is only opportunity. You have the opportunity to succeed and the same one can cause you to fail. When you’re working as a stand-in, it’s extremely important to be punctual. Arrive an hour early to base camp and don’t complain about not getting paid for it. Be present and prepared when the director is working with the “first team,” also known as the cast. Stand-ins are the “second team.” The second team needs to watch the first team to know the blocking during lighting and rehearsals. It’s crucial to be punctual, aware, and attentive or this position can do more harm to your career than good.
I have worked as a stand-in before and I really love it because it’s just one step away from being on the first team. You get to see everything. And unlike background actors, they learn your name and treat you like family on set. Casting directors usually recommend stand-ins to production staffs, but they only recommend people they can trust.
Keep working out there dreamers! Hit me up if there is anything I can help with and don’t be afraid to send me an email!
I’ve had this conversation with many actors and the opinion is always different: Some people feel like once you know how to act, you just know and you don’t need to be in class. Some people feel like you should always be in class to stay sharp. I fall somewhere in the middle: I will be in class as often as I can afford it.
For me, class has always been a way to stay hot in between gigs. I can’t just be immobile. Life and this craft is a continuum. We never stay still. We are either progressing or falling behind. Progression will always be at the top of my list. If you want to get creative about ways to stay sharp when you’re not in class, here are a few things I do:
1. Take an Intensive. We’re actors and we have bills. Committing to an on-going scene study class can seem daunting once you’ve been gone so long. Ease back into the game with an intensive. These generally last 3-6 days. Get your feet wet. Get inspired. Jump all in when you can spare the time.
2. Read books on acting. Someone wise said that if you read three books on the same subject, it makes you an expert. Well become an expert in your technique of choice. How many books can we find on Meisner? Reading is cheap and mobile.
3. Watch Virtual Channel Network on ActorsAccess.com. Industry professionals give priceless advice. For free. Get educated.
4. Create a project. Booking can be tough but writing a scene and putting it up on its feet can be done in a day. Grab some actors and make the most of the time. You never know what it could lead to. Ever heard of King Bach or Issa Rae?
5. Memorize monologues and record yourself on your phone. Play them back and critique your own work. You probably know by now what works and doesn’t work, but you may not know what you’re giving when you audition. Do a little self-study. It’s harmless.
I should take my own advice with some of these. My default is creating my own material. I guess that’s just the writer in me. I hope this helps you along the way! Stay inspired.
Be where you are.
By now we all know that I relocated to Atlanta from Los Angeles. Recently I encountered an actress (one I have grown to truly respect), who heavily encouraged actors in Atlanta to project their energies towards bigger markets, such as New York and Los Angeles.
Because I’m from the streets and I know what it looks like, I can completely understand why she wants to prepare her students for the “real world.” However, I think it’s valuable to also find the significance where you are present. I won’t ever claim that Atlanta will be equivalent to LA or NY, but this city/region definitely has opportunities for performers. We do have to work harder at finding these fabulous opportunities, but that can be true for any city.
Actors in Atlanta aren’t competing with big name stars. New Orleans actors aren’t up against A-listers. Productions will always need actors for smaller roles. When you live in a smaller city, you get a better chance at booking these jobs. They aren’t going to fly in a SAG actor for an under-5. They will cast someone locally. Also, when you’re in NY or LA, you have be SAG to book these roles. Georgia is a work for hire state. I’m not suggesting you don’t pay your SAG dues, but if you can’t pay them, you still get to work SAG scale and get paid like a SAG actor. THIS IS A BENEFIT LA ACTORS DO NOT GET!!!!
The bottom line is this: Location will never be enough to make it in this industry. And fortunately, your hustle is a transferrable skill. Don’t wait to exert yourself in a new city. Be present where you are and make the most of what God has already blessed you with. Get involved in local theatre. Do some independent projects. When you make it to the big apple or the city of angels, you’ll be ready.
Lastly, I promise you, the big cities aren’t going anywhere.
Let me tell you a thing or two about working for free.
As an actor, there will be plenty of times (especially in the early days of your career) when you will work for free. I am a seasoned newcomer at this point and I am still working for free from time to time. As writer I wrote for Essence for no monetary compensation. I wrote for HOPE for Women magazine for no money. I have done plays that didn’t pay. I have written for another blogger for no pay. I have done countless film projects for no money, including one just this past weekend, which brings me to the premise of this blog.
IF YOU AGREE TO WORK FOR FREE, WORK LIKE YOU’RE GETTING PAID.
This past weekend, I knew the project was unpaid when I submitted for it. I figured it would be a ten hour day, because filming can take a long time. The call time was 6am (I wasn’t expecting that), but I showed up on time as if there was a clock for me to punch. We didn’t wrap until 9p. You got it. I worked for 15 hours on set for no pay, and as a stand-in. That means my face will never even be seen on the footage. Let me tell you why it was worth it:
· I moved from LA to Atlanta. So I’m in a new city. I have to start from scratch with networking. I don’t know many filmmakers here so being on this set gave me 15 hours of making around 30 first impressions with people who work in Atlanta and know other Atlanta filmmakers.
· The director is award-winning.
· Columbus Short of Scandal was the lead actor.
· Columbus Short of Scandal was the lead actor.
· Columbus Short of Scandal was the lead actor, like dude. It was hours of free acting class.
· One job leads to the next. It’s too soon to tell right now, but I can guarantee that working on that set will lead to a job in the future.
Don’t believe me?
After serving as a stand-in for My Black is Beautiful on BET, I was brought back to work on the show as a model, networked with a photographer and got a free photoshoot, and the casting director cast me in several paid projects after that. Because I have written/write for Essence, I am invited to exclusive events with just the hopes of gaining exposure. After writing for HOPE for Women as nutrition writer, I landed a paid job with a publication due to having that experience. Not to mention that years later, I am now the Online Content Editor for HOPE. I wrote for a blogger, and now I have a bigger (paid) position in her company. After doing an unpaid play, I learned from the playwright and wrote my own show, which generated income. I did a couple of unpaid shoots for another director and we became friends and now she does all kinds of stuff for me for free, including film/edit my comedy reel. I’ve met people on set who tell me about jobs, opportunities, and casting directors, etc.
Networking is not an activity you set aside time to do. Networking is the result of putting yourself in amazing situations to meet people with similar goals.
I take business cards to set and events (with my face on them) so that people can find it in their pockets later and learn more about me. Everything anyone wants to know about me can be answered at this website. That is the way it is designed!!!
Understand that there is more than one way to be compensated. I believe that education costs. I’m willing to pay with my time, which is why I will work for free. I will act for food.
So if you show up for a job that does not pay you in cash, behave like it’s the biggest paying job you have ever had. Submit your work on time. Show up to set on time. Behave professionally. Be excited to be used. Your performance and enthusiasm will lead you to other projects. I promise you! And if it doesn’t, you haven’t done enough free jobs yet.
Finding jobs for acting in Atlanta is not as easily done like it is in Los Angeles and New York. In LA and NYC, you can throw a rock and hit an actor. In Atlanta, you can throw a rock and hit a beautician or real estate agent. Since moving here to pursue acting six months ago, I still struggle to find actors that want to network and filmmakers creating their own work. And while I’m grateful to be signed to a reputable talent agency, I know that I still have to find my own acting auditions and acting jobs in Atlanta, just like I did in Los Angeles.
The general consensus is, folks in Atlanta just aren’t cranking out as much work as those in LA. This could be a variation of lack of resources and access to talent. Despite these trials, there are some people acting in Atlanta. You just have to get creative!
This weekend I was blessed to be invited to the Atlanta Pitch Summit. Lucky for me I’m a writer and an actor in Atlanta, so I have the advantage of knowing how to think like a hustler. To me it made perfect sense to bring my actor business cards to a writer’s event.
Duh!!! A slew of writers will be there pitching their shows to television executives??? They’re going to need a cast when the show gets picked up. I exchanged cards with everyone I saw. They all left with a shiny picture of my face and website. And they all received a cute email from me and links to my work. They don’t call us actors for nothing! We have to be creative when it comes to networking and finding work. Opportunities won’t just come falling in our laps.
All in all, the event was fantastic. I learned a lot from the workshops, met some amazing people, and I ended up pitching one of my show ideas to a couple of TV executives. Some passed but one said, yes! All we really need is one YES!
I’m happy to announce I have enrolled in the Automobile University!!!
I actually enrolled while I was still on the bus and I believe that’s part of the reason I was able to get off with no car payments. For those who are not familiar, the Automobile University is actively listening to educational content during your commute. I love Drake’s new album just as much as the next person, but I’m not learning anything by repeating his lyrics and taking on his emotional baggage.
What I do during my commutes now is listen to different podcasts with hosts who offer advice and guidance on topics such as growing wealth, finding work you love, self-promotion, and garnering side hustles. All of these things are excellent skills for the modern day actor. In fact, it was these podcasts that helped me determine today’s topic: WHAT CAN WE DO WHILE WE WAIT???
Well, the first thing we can do is NOT WAIT.
I have an amazing team of agents at Atlanta Models & Talent, Inc., but I know that I won’t be auditioning or filming every day at this stage in my career. Here are a list of things I do between filming and auditioning.
1. I blog. Not only does it help document my journey, but it allows me to help other people along the way.
2. I create content. I have written plays, short films, and webseries. Everything I write does not end up on the screen but it keeps me fresh and hot for those opportunities that are around the corner. When I do produce projects, it gives me the chance to get some visibility online and at film festivals. These are both steps in the right direction.
3. I seek work. I’m grateful for my agents but they are not responsible for my career. If I am not successful, it’s not their fault. I seek work and submit myself to projects outside of what they send me to and nothing is too small. I have done background work, audience work, Craigslist work, and student films.
4. I volunteer. If you know folks who are in production and you like their work, ask if you can help out! They may not cast you immediately but if something comes up, they won’t have to go looking for you if you’re already on their set.
5. I read books on acting. Someone smart said reading three books on a particular topic makes you an expert. How many books have you read regarding your career?
Build it and they will come.
God bless the child who has his own.
If you create a job, you’ll never have to look for one.
When I think about Tyler Perry and Jay-Z, it’s mind-blowing that they started their companies as a result of not being recognized by major companies who could have propelled their careers. Sometimes we’ve got to have the same tenacity about our own careers. That’s part of the reason I joined Fearless Rock Projects. We committed ourselves to doing just that: creating Fearless Projects that rock! Below is the trailer for a short film I wrote after being inspired by Prince’s I Would Die 4U. There is an undeniable religious undertone in the lyrics and it made me think of the goodness of God. In the film, I play a girl who breaks all Ten Commandments and eventually finds Jesus, who forgives all of her sins through his grace.
The Trailer is below. I’m working on getting the film online, but Prince is a stickler for keeping his music OFF Youtube and Vimeo! Enjoy it while you can!
Learn more about FRP at www.FearlessRockProjects.org and CREATE YOUR OWN WORK!
Let me set the tone for this one.
It’s Labor Day 2013. Partly cloudy in Atlanta, GA around 12:44 Pacific Time. I left my computer clock set to Los Angeles so I can keep my head space in the busy city. Weirdly, it helps.
After an excess of eight times, It’s safe to say I’m listening to Drake’s’ Hold On, we’re going home’ on repeat. I’m a good girl and I know it.
Sometimes it’s just nice to have my anxiety relieved though. I am constantly reassured that I have chosen the correct professions for my life. Now I’m just waiting for the success to catch up to my work ethic and sacrifices. It made me think back to my chat with one of my favorite actresses, Jenifer Lewis, on behalf of www.PlentyPennies.com (a subsidiary company of Tiffany Classics, LLC). I asked her what advice she’d give to her 25 year old self. Her response:
I would walk over to her and I would hold her so tight and I wouldn’t let her go. I’d whisper in her ear, hold her still and tell her, ”I’m going to take care of you. Everything is gonna be alright.”
This is around the time she was promoting her new webseries, Jenifer and Shangela. It’s a hoot if you haven’t seen it. Click here to catch up on episodes.
She even had some advice for new comers:
Find your passion. When all else fails, the dream will sustain you. The elevator to success is broken. You must take the stairs: step by step. I took the steps. even if the fans’ comments weren’t what they are, I still know who I am.
I realize that I have been afforded some great opportunities over the years to actually meet and talk with some amazing actresses who have given me nuggets to help me along with my journey. And now, I’ll share some of them with you.
Think of your age in Hollywood as the number of years you’ve been pursuing your career. Tiffany you’ve only been here for 2 years. As a two year old, you can walk but you’re still stumbling and falling from time to time,” – Joy Bryant, Circa 2009.
“One of my favorite verses is Galatians 6:9, “Let us not become weary in doing good, for at the proper time we will reap a harvest if we do not give up.” If you give up, you get off your mark and you make it easier for the next person to come and get your spot. Don’t quit. Don’t get off your mark,” Tasha Smith, Circa 2008.
“If it doesn't feel right in your gut, don’t do it. You’ll regret it every time,” – Nia Long, Circa 2007.
“What’s going to make me more interesting than the next chick that’s coming in the room? Average is never ok. Make it difficult for them to say no. Use everything. Give everything. EVERY TIME,” –Tisha Campbell-Martin, Circa 2009.
To read my entire interview with Jenifer Lewis, click here.
Have a little vision
2007 was a groundbreaking year for me for several reasons: I graduated from college, moved to Los Angeles, and I was introduced to The Secret. All of those things worked together. My sorority sisters and I were all in transition and one of my best friends, Jemier, introduced us to The Secret. We all set aside time to watch it together. It was quite overwhelming at first but the principles have stood with me.
I am a devout Christian and many of the principles line up with what The Secret teaches. One is particular is being visionary. Despite your profession, you have to know where you’re going even before you arrive. I think this is particularly true with artists. The odds are against us as performers. There is always the “WHAT IF” in the back of your mind. You have to have faith in you before anyone else can. Here are a few scriptures that support this idea:
· The entire Chapter of Hebrews 11
· Mark 11: 23 “Truly[a] I tell you, if anyone says to this mountain, ‘Go, throw yourself into the sea,’ and does not doubt in their heart but believes that what they say will happen, it will be done for them.
· Galations 6:9 Let us not become weary in doing good, for at the proper time we will reap a harvest if we do not give up.
· The entire Chapter of Matthew 6
· 1 Corinthans 2: 5 so that your faith might not rest on human wisdom, but on God’s power.
It is my best advice for you to make a vision board and put it in a place that you will see it every day when you wake up. It serves as a compass for the rest of your day. I also wrote myself a daily affirmation, with the advice of fellow actress friend, Lisa B. It helps keep my goals and dreams in perspective.
Even if your dreams are wild, you have to make yourself believe them. Seeing is believing. Speak it to yourself every day and it has to come to pass.
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